. ' Released: July 1, 2010. ' Released: October 4, 2010. ' Released: October 23, 2010. ' Released: January 18, 2011 My Beautiful Dark Twisted Fantasy is the fifth by American rapper, released on November 22, 2010,. Following a period of public and legal controversy, West retreated to a 'self-imposed exile' in in 2009. There, he worked on the album in a communal recording environment that involved numerous contributing musicians and producers.

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The album features guest appearances from, and more. Production was led by West himself, alongside a variety of high-profile record producers including, and. Noted by critics for its aesthetic, opulent production quality, and dichotomous themes, My Beautiful Dark Twisted Fantasy incorporates aspects of West's previous works, including, and symphonic styles. The album deals with themes of excess and, and explores such issues as, and the idealism of the.

To promote the album, West released free songs through his series and four singles: the hits ', ', and ', and the international hit '. It was also promoted with a set to the record's music,. The album debuted at number one on the and eventually sold 1,032,000 copies in the United States. A widespread critical success, it was named the best album of 2010 by many publications and has since appeared on several lists ranking the greatest albums of all time. Contents.

Background The album was conceived during West's self-imposed exile in Oahu, Hawaii, following a period of legal and public image controversy amid an overworked mental state. West later said that his fatigue from overworking led to his controversial outburst at the, his disgust with its ensuing media response, and his hiatus from recording. Amid negative response to the incident, his with recording artist in promotion of his previous album, was cancelled on October 1, 2009, without citing a reason. It was formerly known as Good Ass Job and tentatively Dark Twisted Fantasy.

Artist was the second to announce the title of the album as Good Ass Job. On July 24, 2010, on Kanye West's blog, a banner appeared reading 'My Dark Twisted Fantasy Trailer'. On July 28, 2010, West announced via his new official Twitter account that 'The album is no longer called 'Good Ass Job' I'm bouncing a couple of titles around now.' The official title, My Beautiful Dark Twisted Fantasy, was announced on October 5, 2010. In May 2017, former Def Jam intern Rory Farrell claimed that the album was instead going to be titled 'Donda’s Boy', and consisted of ten guest-less tracks, nine of which were ten minutes long with 'Runaway' stretching to 20 minutes. Recording and production Recording sessions took place primarily at Avex Recording Studio in, Hawaii, with additional recording at Glenwood Place Studios in Burbank, California, and at and Platinum Sound Recording Studios in New York City.

It was reported that West spent over $3 million in expenses from his record label Def Jam recording the album, making it one of the most expensive albums ever made. He later explained the initial recording process to Noah Callahan-Bever, editor-in-chief and West's confidant at the time, who said that 'he'd holed up in Hawaii and was importing his favorite producers and artists to work on and inspire his recording. Artists who were reported to have participated in the sessions for My Beautiful Dark Twisted Fantasy included, and. Record producers who participated in the sessions with West included, RZA, and. Madlib said he made five beats for the album, while DJ Premier said his beats were ultimately discarded. (left) and (right) each performed vocals for multiple tracks on the album.

West, who had previously recorded at Avex for 808s & Heartbreak, block-booked the studio's three session rooms simultaneously for 24 hours a day to work on My Beautiful Dark Twisted Fantasy. According to Noah Callahan-Bever, who visited West during the recording sessions, 'when he hits a creative wall. He heads to another studio room to make progress on another song'.

West never slept a full night at the 'glass-enclosed mansion' house he had rented, opting instead to take in a studio chair or couch 90 minutes at a time. Engineers worked around the clock, as West bounced from room to room. This assiduous work ethic led to West employing two private chefs, one for hot food, and one for cold food. Before recording in the afternoon, West and most of his crew played games of against locals at the Honolulu for leisure. Kid Cudi smoked in preparation and worked out on a treadmill, while RZA worked out in the. West held breakfast each morning at his residence for his crew.

Throughout the album's development, West elicited other producers and musicians to weigh in on its music with conversations and contributions at the studio. In observing discussions among them during his visit, Callahan-Bever noted: 'Despite the heavyweights assembled, the egos rarely clash; talks are sprawling, enlightening, and productive. We are here to contribute, challenge, and inspire'. In an interview with Callahan-Bever, Q-Tip described the process as 'music by committee' and elaborated on its significance to the sessions and West's work ethic: He'll go, ‘Check this out, tell me what you think.’ Which speaks volumes about who he is and how he sees and views people.

Every person has a voice and an idea, so he's sincerely looking to hear what you have to say—good, bad, or whatever. When he has his beats or his rhymes, he offers them to the committee and we're all invited to dissect, strip, or add on to what he's already started. By the end of the sessions, you see how he integrates and transforms everyone's contributions, so the whole is greater than the sum of its parts. He's a real wizard at it. What he does is alchemy, really.

Pete Rock said of his studio experience with West, 'He's definitely hip-hop, his roots, I was testing him on joints.He takes it to another level which is dope. He had these musicians and this song, they played around my little raggedy beat and made it real. I love the way he works — he goes from one room, writing rhymes then goes to another beat and goes to another room and does something else — I love what he's done'. Rapper Pusha T characterized the album as 'a collage of sounds' and found West's methods unorthodox when recording, saying that 'We could easily be working on one song, thinking we're in a mode, and he'll hear a sound from someone like producer Jeff Bhasker and immediately turn his whole attention to that sound and go through his mental Rolodex to where that sound belongs on his album, and then it goes straight to that song, immediately'.

DJ Premier said of the production in comparison to West's previous work, 'Well, first of all, if you look at all of Kanye West's output, he actually did a lot to bring back sampling and make it cool again, even though he's more of a mainstream artist.but his new album is strictly hard beats and rhyme. He's totally done with electro. You're gonna be surprised what you hear'. To prevent any of the material from onto the Internet, West made the recording of the album as secretive as he could; he instituted a 'No tweeting, no talking, no e-mailing' rule for others at the sessions to abide.

Pusha T recalled West's attitude in an interview for, saying that 'then there happened to be a, and I remember Kanye ranting and raving, like, 'Fuck this! We're not going to ever work there again! We're going to work in hotel rooms!' ' West subsequently recorded in hotel rooms for, his 2011 album with Jay-Z.

Music and lyrics. 'West is the pop star for our morally implicated times; an instinctive consumer with a mouthful of diamonds and furtive bad conscience, a performer who lives the to its fullest with a creeping sense of the spiritual void at its heart. My Beautiful Dark Twisted Fantasy captures that essence in full. It's an utterly dazzling portrait of a 21st-century schizoid man that is by turns sickeningly egocentric, contrite, wise, stupid and self-mocking.'

—Alex Denney, My Beautiful Dark Twisted Fantasy 's music has been noted by writers for incorporating elements from West's previous four albums. 's Simon Vozick-Levinson perceives that such elements 'all recur at various points', namely 'the luxurious of 2004's, the symphonic pomp of, the gloss of 2007's, and the emotionally exhausted of 2008's '. Sean Fennessey of writes that West 'absorbed the gifts of his handpicked collaborators, and occasionally elevated them' on previous studio albums, noting collaborators and elements as for Late Registration ('arranging orchestral majesty'), for Graduation ('adapted DJ Toomp’s oozing menace'), and Kid Cudi for 808s & Heartbreak ('Cudi’s moaning melodies became elemental'). The music was described as maximalist by Jon Caramanica of, who also took note of elements, and Ryan Dombal from, who deemed it a 'culmination' of West's past work: 'Musically, the album largely continues where 2007's Graduation left off in its maximalist hip-hop bent, with flashes of The College Dropout 's comfort-food sampling and Late Registration 's instrumentation weaved in seamlessly'. 's Andy Kellman views it as the 'culmination' of those albums, while noting that 'it does not merely draw characteristics from each one of them. The 13 tracks.

Sometimes fuse them together simultaneously. Consequently, the sonic and emotional layers are often difficult to pry apart and enumerate'.

Kellman denotes ' as most representative of the album's 'contrasting elements and maniacal extravagance'. By contrast, from comments that the music eschews the 'grace' of The College Dropout and Late Registration for 'grandiosity' and 'the sonic luxuries of this return to form'. The album's themes deal primarily with excess and, and also touch on decadence, grandiosity, sex, wealth, romance, self-aggrandizement, and self-doubt. Andrew Martin of Prefix Magazine notes the album's as 'more is more' and describes it as 'a meditation on fame', in which West decries the burden that it entails. My Beautiful Dark Twisted Fantasy also features more open references to drinking and drug use than on West's previous albums. Nathan Rabin of describes it as 'darkly funny, boldly introspective, and characteristically fame-obsessed', noting 'manic highs and depressive lows emotionally' in the album.

Christgau found the themes of insecurity and uncertainty on the album to be West's 'heart, his message, the reason he's so major', noting the tracks ' and 'Runaway' as examples., writing in the, said West displayed a and 'almost pathological allegiance to expressing his emotions, unfiltered'. In the opinion of Pitchfork 's Ryan Dombal, My Beautiful Dark Twisted Fantasy was 'a hedonistic exploration into a rich and famous American ', while Chris Martins from said it was an alternately grandiose and eloquent production that 'owed as much to the artist's self-aggrandizing ego as to the voracious id that would destroy it publicly'. Music writer interprets West's predominant theme on My Beautiful Dark Twisted Fantasy to be 'the crisis of the jet-lagged cosmopolitan. The exhausted cry of one who's always new in town, chasing whatever goal or girl is in the room, fueled by 's relentless buzz, but finally left unsatisfied'. Powers views the songs to work 'as pornographic boasts, romantic disaster stories, devil-haunted dark nights of the soul' and perceives West's 'uncertainty about his own place in the world' to be connected to the subject of, stating 'The rootlessness West celebrates and despairs of on ' Fantasy ' belongs to someone who feels unwelcome everywhere. This isn't just a personal problem. It's the curse of what the author has called 'the exceptional black man', embraced for his talents but singled out for the color of his skin'.

The -sampling track has lyrics about lust and heartache with dichotomous imagery both sexual and religious. Problems playing these files? The album's opening track, ', is introduced with a narrative by, attempting an, that serves as a retelling of writer 's poetic rework of '. It introduces My Beautiful Dark Twisted Fantasy 's themes of decadence and hedonism, with West musing how 'the plan was to drink until the pain was over / But what’s worse, the pain or the hangover?' His lyrics on the track contain various musical and popular culture references, including those to the song ', the sports car, rapper, fashion designer, short story ', the song ', singer, and television character.

'All of the Lights' incorporates and fanfare. West's lyrics contain a reference to the in the opening lines and present a narrative of a character who abuses his lover, does prison time, scuffles with her new boyfriend, and subsequently mourns his absence from his child's life. For the song, West enlisted 11 guest vocalists, including Alicia Keys, John Legend, Elton John, Tony Williams, Elly Jackson, and Rihanna, who sings the song's. In an interview for MTV, Jackson said of the song's vocal layering, 'He got me to layer up all these vocals with other people, and he just basically wanted to use his favorite vocalists from around the world to create this really unique vocal texture on his record, but it's not the kind of thing where you can pick it out'. ' is built on a of 's '.

Its lyrics are about lust and heartache, with sexual and religious imagery described by one critic as 'part bedroom allure, part angelic prayer'. It is the only track without production by West but features his characteristic style of manipulating the pitch and tempo of classic soul samples. ' features a piano-based comprising a series of sustained descending and, with a that incorporates light and -singing by West. The narrator's self-critical lyrics reflect on his personality and character flaws. Sean Fennessey cites the song as the point in the album in which 'self-laceration overtakes chest-beating', noting West's sung-line 'I'm so gifted at finding what I don't like the most'. Inspired by his two-year relationship with model, 'Hell of a Life' contains a psychedelic rock sample and a narrative about marrying a porn star. According to critic Ryan Dombal, the song 'attempts to bend its central — 'no more drugs for me, pussy and religion is all I need'— into a noble pursuit.

The song blurs the line between fantasy and reality, sex and romance, love and religion, until no lines exist at all. It's a zonked nirvana with demons underneath; a fragile state that can't help but break apart on the very next song'. ' is a low-key track about a painful domestic dispute. It features piano by producer, additional vocals by John Legend, and a profane skit by comedian.

' features tribal drums and samples 's 'Woods', a song originally written about alienation, applied by West 'as the centerpiece of a catchy, communal reverie.' It features several musical changes, beginning with Bon Iver frontman 's faint vocals, followed by drums, -styled chorus, and increased tempo, and a final tempo. 'Lost in the World' transitions into the closing track 'Who Will Survive in America'.

It serves as the album's coda and is built on a sample of 's 'Comment No. 1', a blunt, surrealist piece delivered by Scott-Heron in spoken word about the and the fated idealism of the American dream. Scott-Heron's original speech, which criticized the 1960s for failing to recognize the more basic needs of the African-American community, is edited to a reduced version on the track that, according to music writer, 'retains its essence, that of an African-American male who feels cut off from his country and culture'. By contrast, Sean Fennessey interprets it as 'a too-serious for an album that is more about the self’s little nightmares than some aching societal rejection'.

Release and promotion. West performing at the Festival in Brazil, 2011 On October 4, 2010, the release date was announced as November 22, 2010.

Prior to its release, West initiated the free music program through his website on August 20, 2010, offering a free download of previously unreleased songs each Friday of the week, a portion of which were included on the album. Titled after his imprint label, the program generated considerable publicity in the months leading up to the album's release. Online marketing coordinator Karen Civil said of the program in retrospect, 'It's a genius idea.

He did something no one had ever done before, and at a point when he was the most hated person in music, he brought excitement back with his Friday releases'. Fridays was originally intended to continue through December, but was extended by West through January 2011.

My Beautiful Dark Twisted Fantasy was released as a digital download on at a list price of $3.99, which coincided with the site's $3 discount promotional offer on MP3 purchases made valid through the release week. Following the release of the album, West performed headlining sets at several large festivals, including 2011, and; the latter was described by as 'one of the great hip-hop sets of all time.' To promote My Beautiful Dark Twisted Fantasy, West performed. Singles On May 28, 2010, an unfinished version of a speculative first single titled ' was leaked onto the Internet. It features additional vocals by and was co-produced by and.

The official remix, featuring and, was premiered on August 20, 2010 on Hot 97. The single spent eight weeks and peaked at number 22 on the US chart. The song was nominated for a for, presented at the in 2011. On September 12, West performed the second single 'Runaway' at the. Three weeks later on October 2, West performed the song on, along with 'Power'. 'Runaway' was officially released to the on October 4, 2010. It spent 12 weeks on the Billboard Hot 100, peaking at number 12 on the chart.

Dark Twisted Fantasy Full Album

Named it the best single of 2010 in its year-end list. A 35-minute, directed by West and containing the song's official music video, was released on October 23, 2010. Filmed in over a period of four days during Summer 2010, the film stars West and model and features the script written by with the story written by West. West described the video as an 'overall representation of what he dreams' and a parallel to his music career. At one of his screenings in Paris, the film seemed to represent a lot emotionally for him as he broke down in tears.

Later after another screening, West states that his music and 'art' and how it affects people is the reasoning behind his continuance of music creation. The third single ' was sent out to radio on September 21, and it was released to the iTunes Store on October 23, 2010.

The song was originally released on August 27, 2010 as part of West's music program G.O.O.D. It spent five weeks on the Billboard Hot 100, peaking at number 18 on the chart. Rolling Stone ranked it number 10 on its list of the Best Singles of 2010. The song was performed at Jay-Z's and 's on September 14, 2010, along with. In October, West announced ' as the fourth official single. Prior to its release as a single, it had debuted at number 92 on the Billboard Hot 100 upon the album's release, and the track 'Dark Fantasy' entered the chart at number 60 the same week. The single was released on January 18, 2011, in the US and on February 21, 2011, in the UK.

It reached number 18 and spent eight weeks on the Billboard Hot 100. By December 2011, it had sold over 1,561,000 digital units in the US. 'All of the Lights' also charted well worldwide, including number eight in Brazil, number 15 in the United Kingdom, number 13 in Ireland, number 14 in Scotland, and number 22 in South Korea. It was certified Platinum by the, for shipments of 70,000 copies in Australia, Gold by the, for shipments of 7,500 in New Zealand, and Platinum by the, for shipments of one million in the US. Cover art On October 17, 2010, Kanye West revealed through that My Beautiful Dark Twisted Fantasy had been rejected by certain stores because of the cover art. The artwork (a portrait by ) shows West being straddled by an armless winged female (a ).

Both characters are depicted nude, and one of the phoenix's breasts and her buttocks are visible. The artist later said that Kanye wanted a cover image that would be banned. The painting is centered with a thin yellow border on a red background. The artwork follows along the apparent theme of the album, as well as West's music film Runaway. This is one of five covers; all of them were included with its purchase.

A second cover, with a painting of a by Condo, was posted on the pre-order page. It was intended to be the original artwork for Runaway, but West used a photograph of a ballerina instead. George Condo and Kanye West met up for several hours where they listened to tapes of his music, and over the next few days Condo made eight or nine paintings for the album. Two of them were portraits of West, one in extreme closeup, with mismatched eyes and four sets of teeth. Another showed his head, crowned and decapitated, placed sideways on a white slab, impaled by a sword.

There was also a painting of a ballerina in a black tutu, a painting of the crown and the sword by themselves in a grassy landscape, and a scene of a naked West on a bed, straddled by a naked white female creature with fearsome features, wings, no arms, and a long, spotted tail, the last one being the original album cover. According to, a new painting for the album, 'The Priest', was completed by Condo, who described it as an attempt to bring depictions of religious figures into the modern world.

In 2015 named it the 30th best album cover of all time. Elsewhere in 2017, NME listed it as the 7th best album artwork of the 21st Century so far. Reception Professional ratings Aggregate scores Source Rating 8.8/10 94/100 Review scores Source Rating A A 9/10 10/10 9/10 My Beautiful Dark Twisted Fantasy debuted at number one on the albums chart, selling 496,000 copies in the United States during its first week. It was West's fourth consecutive US number-one album, and its debut week served as the fourth-best sales week of 2010, while its first-week digital sales of 224,000 copies served as the fourth-highest sales week for a digitally-downloaded album. It spent 32 weeks on the Billboard 200, and by July 2013, it had sold 1,351,000 copies in the United States, according to.

My Beautiful Dark Twisted Fantasy received widespread critical acclaim. At, which assigns a rating out of 100 to reviews from mainstream publications, the album received an score of 94, based on 45 reviews.

Andy Gill from called it 'one of pop's gaudiest, most grandiose efforts of recent years, a no-holds-barred musical extravaganza in which any notion of good taste is abandoned at the door'. In the, found the music '-like, fulfilling the mandate of rearranging form, texture, color and space to suggest new ways of viewing things'. Magazine's viewed it as West's most lavish record and said it proved again that few other artists shared his ability to adeptly combine diverse elements. Dan Vidal of highlighted West's ability to bring the best out of his collaborators, finding it comparable to the work of. Writing for, called the album West's best and most wildly inspired album to date, claiming that no other artist was recording music as dark or uncanny, while critic Channing Freeman hailed it as 'the first album in which he's truly lived up to his potential in every way – as a rapper, as a lyricist, as a songwriter'.

's Sean Fennessey found the album overwhelming and skillfully produced because of how each song transitions over 'like some long night out into the hazy morning after'. In a less enthusiastic review for, was critical of West's lyrics regarding 'women as ruthless money-grabbers' on an otherwise 'herculean' and 'flawed near-masterpiece'. 's Andy Kellman found his rapping inconsistent on what was nonetheless 'a deeply fascinating accomplishment' in West's catalogue: 'As fatiguing as it is invigorating, as cold-blooded as it is heart-rending, as haphazardly splattered as it is meticulously sculpted, the album is an extraordinarily complex 70-minute set of songs. As the ego and ambition swells, so does the appeal, the repulsiveness, and – most importantly – the ingenuity'.

My Beautiful Dark Twisted Album Cover

Accolades. Review aggregate site called My Beautiful Dark Twisted Fantasy 'the runaway consensus pick of music critics for the best album of 2010'. My Beautiful Dark Twisted Fantasy appeared on numerous year-end top albums lists. Many critics named it the best album of 2010, including, Time, Slant Magazine, Pitchfork, Rolling Stone, and.

My Beautiful Dark Twisted Fantasy was voted best album in The Village Voice 's critics' poll for 2010, winning by the largest margin in the poll's history. The singles 'Power', 'Runaway', and 'Monster' were voted in the top-10 of the Pazz & Jop's singles list., which collates reviews of music albums, named it the best-reviewed album of 2010. According to, My Beautiful Dark Twisted Fantasy is the 62nd most critically acclaimed album in history, the second-highest ranking for any hip hop album.

In 2012, Rolling Stone placed it at number 353 on the magazine's list of, and included it in their list of '25 Rap Albums From the Past Decade That Deserve Classic Status'. Entertainment Weekly named it the 8th best album of all time on their 2013 list. In October 2013, Complex named it the best hip hop album of the last five years.

NME ranked the album at 24 on their 500 Greatest Albums Of All Time list. In 2015, Billboard listed it first in the magazine's ranking of the top 20 albums of the 2010s. The album was also included in the book. In August 2014, the song 'Runaway' (featuring Pusha T) was ranked in the third position in 's list of the 200 'best tracks' released since 2010. During the same week, the publication named it the best album of the 2010s decade — between 2010 and 2014 — commenting, 'West broke the ground upon which the new decade's most brilliant architects built their masterworks;, and don’t exist without the blueprint of My Beautiful Dark Twisted Fantasy.

The list ends here because it’s where the decade truly begins.' In August 2014, named it the best album of the 21st century. In 2016, named it the best album of the decade so far.

In 2017, Complex ranked it as West's best album. DJ Booth named it the best Hip-Hop or R&B album of the decade, thus far in October 2017. Grammy Awards My Beautiful Dark Twisted Fantasy won a for, presented at the in 2012.

The song 'All of the Lights' was nominated for Grammy Awards for, and, winning in the latter two categories. However, My Beautiful Dark Twisted Fantasy was not nominated for, which was viewed as a 'snub' by several outlets, along with the rejection of, West's collaborative album with Jay-Z, for that category.

In an article for, music journalist elaborated on the album's acclaim, called West's nominations in minor categories 'booby prizes', and stated, ' MBDTF is by far the best reviewed album in many years: the critical community flipped out over it like nothing since ’s zenith. And it sold well, over 1.2 million so far. So what happened?

How is it Grammy overlooked Kanye’s magnum opus and gave noms to four sonic widgets and 's?' He explored possible reasons for to snub him, including split votes between My Beautiful Dark Twisted Fantasy and Watch the Throne, concerns over West's past controversies, and more commercially appealing nominees, but ultimately stated: What I think may be going on is a lack of respect for hip hop and its complexity from people who care about music but don't know much about hip hop. Predictably, Grammy tends toward pop-friendly hip hop that's easily understood by those who don't understand hip hop.

Pop in this regard is not meant as an insult, it's merely music palatable to non-aficionados of the genre. But now that he's released his most mature work, West is being ignored. In the, music journalist Randall Roberts was critical of the nominations for the 54th Grammy Awards, particularly for the Album of the Year category, noting the exclusion of My Beautiful Dark Twisted Fantasy, 'the most critically acclaimed album of the year, a career-defining record', as a snub in favor of nominating less substantial albums. West, who was vocal in his displeasure with past award snubs, responded onstage during a concert on the, saying 'That's my fault for dropping Watch the Throne and Dark Fantasy the same year. I should've just spaced it out, just a little bit more.' Track listing No.

My Beautiful Dark Twisted Fantasy Itunes Deluxe Download

Title Writer(s) Producer(s) Length 1. West. No I.D. 6:03 Deluxe edition bonus DVD No. Title Writer(s) Director(s) Length 1. – art direction. Chris Atlas – marketing.

Jeff Bhasker – additional production, cello arrangement, keyboards, piano, producer. Peter Bischoff – assistant, assistant engineer, engineer. Al Branch – marketing. Leesa D.

Brunson – A&R. Don C. Weekly charts Chart (2010) Peak position 6 2 21 43 1 Colombian Albums Chart 21 30 4 17 19 42 28 19 39 18 15 87 10 7 24 9 97 19 10 16 US 1 US Billboard 1 Year-end charts Chart (2011) Position Australian Albums Chart 49 US Billboard 200 11 Certifications Region Certification /Sales Australia Platinum 70,000 ^ Denmark Gold 15,000 ^ United Kingdom Gold 100,000 ^ United States Platinum 1,000,000 ^ ^shipments figures based on certification alone See also.

References.